The following is a selection of videos that showcase my sound design, mixing, voice production and music composition skills.
It's good to get your hands dirty now and again.
This is a film showcasing some of my favourite moments of voice direction for Games, from my last five years in the industry. I hope you enjoy it as much as I did working with the wonderful actors showcased within it.
Oversaw casting, design, implementation, mixing and localisation as Lead Dialogue Engineer on this AAA game for Sega/Creative Assembly. The project was a close collaboration with the talented bunch at CA Sofia and across many different disciplines.
Music composition, SFX editing (including weapon design) and final mix for for Space Ape. Animation by Blue Zoo.
Everything you hear on this was lovingly designed using a mixture of original sound effects, and some fairly creative mixing techniques.
Client really pushed me to step up to the plate on this, and I think it was worth it. Visuals by Blue Zoo, client was Space Ape.
SFX tracklay, additional dialogue recording, music editing and final mix, for Playmobil, Amblin Entertainment and Blue Zoo Productions.
My challenge with this was to faithfully recreate all the audio for the shots in the original 1985 movie (including the iconic DeLorean).
Interestingly, Amblin Entertainment had a full orchestra re-record the orchestral soundtrack you hear in this trailer.
I undertook the Japanese-to-English script adaptation for this project.
This involved a polish on the first pass translation, a second polish to make sure we were hitting lip sync as best we could, and finally, re-timecoding the script and adding all the Walla cues.
It is a beautiful film and it is always a great honour to work alongside the magnificent team at Studio Ponoc.
Casting, script proofing, voice direction, editing, localization and implementation.
All during lockdown.
This was the last DLC release for the Total War Three Kingdoms project.
It involved futureproofing all the characters and start position dates, bringing back and directing talent that hadn't been in in three years, and a serious effort on the cinematics front. Voice direction by yours truly.
An epic DLC to close it out.
The project I cut my teeth on.
I took on the voice direction, casting, script proofing, recording and implementation for the Amazons day one DLC pack, as well as character recordings for the tentpole.
I also was working on localisation and animation tagging.
Sound design for this delightful interactive project for Blue Zoo, released on Vive. It explores the balance between storytelling and immersive interaction.
Assets were designed and mastered in Avid Pro Tools, and implemented in the project using FMOD.
One of my favourite ever projects.
I worked on the English language dub of the film, from script adaptation, through to recording and editing every line of dialogue on the feature.
A pleasure from start to finish.
I can do #classy.
This series of shorts was filmed on location in Milan, Italy.
It was my job to make it sound as classy as the beautiful visuals.
VO recording, foley and final mix by yours truly.
Undertook the tracklay, VO recording, ADR and 5.1 Mix for the premier season of this show.
It was my first time mixing a long form project using an Avid S6 desk - which I enjoyed - whilst the show was the first documentary series for Netflix with the whole workflow in 4K. Worth a watch.
One of the most wonderful projects I have had the opportunity to work on.
From the pilot, all the way through 5 seasons of BAFTA-winning excellence, I took care of the voice recording, editing, ADR direction and SFX editing on the show. This was my favourite episode, a love letter to Star Wars. And maths!
VO recording, SFX editing and final mix for UFC.
For this series of commercials, I went to B&Q (naturally), bought a load of paint, and recorded it splashing and pouring it at super-high resolution. I then used copious amounts of varispeed to achieve the right sound for this super slow-motion shots.
It made a real mess but the results were lovely. I also took care of the final mix. Very proud of this.
Take 60 seconds to watch this and your day will be immeasurably better for it.
I
provided
SFX and Mix for this lovely short by interns at Blue Zoo.
Music composition, SFX editing and final mix for this promotional campaign, with animation by British animation powerhouse Blue Zoo. This went on Nickelodeon US over Halloween.
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